Happy Birthday, James Hutton!

James Hutton by Sir Henry Raeburn ca. 1776, at the National Portrait Gallery of Scotland, image public domain via Wikimedia Commons

As I hike the hills and crags of Holyrood Park, I often pass a site associated with an alumnus of the University of Edinburgh, where I now attend. It’s not a spectacular site; in fact, it’s just a little stony outcropping that anyone other than a geologist might just pass by or clamber down without a thought. The more observant might notice that there are some nice colors and stripes in the rocks. If not for the fading white printed sign attached to a nearby stone, low enough to step right over it without noticing, no one might know that something important happened here.

Well, two somethings. One took a long time, one much less so. First, over millions of years, minerals were laid down and pressed into sandstone, a band of which pressed and warped against a dolerite sill, a remnant of the ancient volcano that created Arthur’s Seat. In fact, all manner of different processes created Arthur’s Seat, Salisbury Crags, and the other formations of Holyrood Park.

Holyrood Park in spring, viewing Salisbury Crags and Arthur’s Seat thru a flowering shrub, Edinburgh, Scotland

So the second important thing that happened to which I refer is that a sharp-eyed person of particular curiosity and intelligence noticed. In the mid-to-late 1700’s, James Hutton, a native of Edinburgh born on June 3, 1726, and who died here March 26, 1797, closely explored this area. He was a trained chemist and medical doctor, farmer and entrepreneur turned scientist. Hutton spent a great deal of time touring farms and open lands in Scotland, observing farming practices with a professional eye and rock and land formations with a scientific one.

Hutton’s careful observations led him to formulate the theory of uniformitarianism. This theory holds that the earth and its formations were generally not created quickly, in cataclysmic or miraculous events, but very slowly, over vast expanses of time, in slow but regular processes such as sedimentation, erosion, volcanism, and uplift. Hutton published his ideas in his two-volume magnum opus Theory of the Earth in 1795. His demonstration that the Earth was very old indeed made later scientific theories whose justifications required vast expanses of time, notably Charles Darwin’s theory of evolution by natural selection, possible.

Scroll down to see my photos of Hutton’s Section in Holyrood Park and its explanatory sign, and learn more about the great James Hutton through the links below:

James Hutton (1726 – 1797) ~ from ‘Alumni in History’ at the University of Edinburgh’s website

James Hutton: The Founder of Modern Geology ~ excerpt from Earth: Inside and Out, at the American Museum of Natural History website

James Hutton: Scottish Geologist ~ by the editors of Encyclopaedia Britannica

Hutton’s Section, Holyrood Park, Edinburgh, Scotland

Hutton’s Section historical sign, Holyrood Park, Edinburgh, Scotland

Another view of Hutton’s Section, Holyrood Park, Edinburgh, Scotland

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!

Happy Birthday, Adam Smith!

Adam Smith statue on the Royal Mile in Edinburgh, Scotland

Adam Smith was a philosophical disciple and life-long friend of David Hume, and as such, I encountered his ideas regularly while I was following the life and ideas of Hume a few years ago in Edinburgh. Smith wrote a moving account of Hume’s last days. I also encountered his ideas regularly in my undergraduate studies in moral philosophy.

Smith was baptized and perhaps born on June 5th, 1723 in Kirkcaldy, Scotland (a fishing village near Edinburgh) and died on July 17, 1790 in Edinburgh. He attended university at Glasgow and Oxford and found the former intellectual milieu more stimulating by orders of magnitude. Glasgow and Edinburgh were vigorous centers of Enlightenment thought in philosophy, natural philosophy (as the sciences were then known), linguistics, history, political theory, mathematics, and more. David Hume, Adam Smith, and their fellow leaders in the Scottish Enlightenment joined the ranks of this philosophical tradition’s greatest and most influential thinkers.

Like pretty much all Americans interested in basic economic theory, I’d heard a lot about The Wealth of Nations, Smith’s treatise on political economy. You likely have as well, since here you are reading a birthday tribute to Adam Smith! The Wealth of Nations is considered the foundational theoretical work on capitalism and therefore, Smith is regarded as a key figure in economic theory. But when I returned to university a few years ago to study philosophy, and when researching the life and ideas of Hume and his contemporaries for my aforementioned project, I spent more time with Smith’s moral philosophy. So I’ll focus this aspect of his thinking here. After all, this was his main arena of inquiry: he was not an economist, but a professor of moral philosophy at Glasgow. His Theory of Moral Sentiments was, and still is to a lesser consent, respected as a major work in moral philosophy.

Portrait medallion of Adam Smith by James Tassie at the National Portrait Gallery in Edinburgh, Scotland.

Smith’s Theory of Moral Sentiments merges from a sort of compendium of elements of moral philosophy, in which Smith fuses what he considers the best and most coherent elements of moral philosophy into one compelling system. In it, one recognizes Humian sentimentalism, Kantian-type reason-based morality (Immanuel Kant’s work on this topic came after Smith’s, though the men were direct contemporaries), consequentialism, and Aristotelian virtue ethics. Like Hume, Smith thinks that the emotions play a central role. Before Hume, morality was widely considered to be primarily a matter of reason, and morality required us to quash our emotions, or as Hume put it, passions, because human are naturally and by default selfish, greedy, profane, lazy, and in myriad others way fallen creatures. Hume, however, does not agree. He believes that human beings naturally identify with the pains and joys of others, internalizing them and causing us to want to ameliorate their circumstances, and it’s this direct emotional response that drives the moral sense. Smith largely agrees, but not wholly. He also stresses the importance of sympathy (close to the sense that we’d usually now mean empathy) in making moral judgments. Smith explains that the moral agent is like an impartial spectator who participates in the daily lives, sufferings, and joys of our fellow human beings through our emotional response to their situation.

Adam Smith portrait by John Kay from 1790 (the year of Smith’s death), at the National Portrait Gallery, Edinburgh

But Smith also believes that sympathy (empathy) is not enough: our sympathies can and should be corrected by reason since our emotional responses can become inappropriate to the situation, corrupted by ignoble impulses such as greed, ambition, selfishness, and so on. An impartial, uncorrupted spectator would not consider indifference or cruelty, for example, as proper emotional responses to the plight of others. (I see shades of John Rawl’s ‘veil of ignorance‘ here.) One way to help us maintain moral ‘propriety’, as Smith put it, is to apply reason, and one way our reason can help us judge whether our moral sentiments are correct is to consider the consequence of actions we feel inclined to do. While the consequences of our actions don’t determine their rightness or wrongness as they do in consequentialist moral theories, they are an important consideration and in some cases, such as those in which human life hangs in the balance, they should take precedence. And finally, Smith agrees with Aristotle that we can’t rely on a pre-determined, reason-derived, emotionally-detached set of inflexible moral principles to differentiate right from wrong, good from bad, as Kant would have it. Rather, we naturally recognize and respond to virtue when we see it. We admire its beauty and goodness and have the desire to emulate it. Aristotle sees virtue as a perfect balance between opposing qualities in the same sphere: courage is the virtue on the right part of the spectrum between cowardliness and recklessness; temperance between licentiousness and insensibility; friendliness between obsequiousness and cold indifference. Smith likewise stresses the importance of balance in our moral character but focuses more on attuning our sympathies so they are in propriety, thereby driving us to act in the kindest, most honest, and fairest way towards one another as a matter of course.

adam smith_s grave in canongate kirkyard, edinburgh, scotland, 2017 amy cools

Adam Smith’s grave in Canongate Kirkyard, Edinburgh, Scotland

This is only a very short summary of Smith’s moral philosophy by one who not an expert on Smith’s life and thought. To learn more about the great philosopher and economist Adam Smith from those who are, and for more about the philosophical traditions that influenced him and which he influenced in turn, see:

Adam Smith (1723—1790) – Jack Russell Weinstein for the Internet Encyclopedia of Philosophy

Adam Smith’s Moral and Political Philosophy – by Samuel Fleischacker for The Stanford Encyclopedia of Philosophy

Adam Smith pt. 1 – Specialization and Adam Smith pt. 2 – The Tip of the Iceberg Of Wealth – Stephen West discusses Adam Smith’s political economy for his blog Philosophize This!

Adam Smith on What Human Beings Are Like – Nicholas Phillipson discusses Adam Smith’s view of human beings with Nigel Warburton for Philosophy Bites podcast

Dennis Rasmussen on Hume and Smith and his book The Infidel and the Professor – with Russ Roberts for EconTalk

Enlightenment – William Bristow for The Stanford Encyclopedia of Philosophy

Moral Sentimentalism – Antti Kauppinen for The Stanford Encyclopedia of Philosophy

The Problem With Inequality, According to Adam Smith – Dennis C. Rasmussen for The Atlantic

The Real Adam Smith – by Paul Sagar for Aeon

The Theory of Moral Sentiments – Adam Smith, first published in 1759

*A version of this piece was previously published in Ordinary Philosophy

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!

 

Remembering Joan of Arc

Joan of Arc by Amy Cools, about 1998. My mental image of her then was influenced by popular iconography and films, much of it which, as I did, portrayed her as tall, fair-skinned, and light-haired (think Ingrid Bergman’s 1948 film portrayal). In real life, she was somewhat short, dark-eyed with black hair, and had a sun-tanned, athletic body that, despite their describing it as attractive, aroused no lust in her fellow soldiers. Perhaps this resulted from their idealization of her as too godly for mere mortals to touch. Or perhaps, as I surmise, her indifference to sex with men was too manifest to give rise to that kind of chemistry. My drawing does, I think, manifest my youthful idea of her as a lovely tomboy, as an active, confident girl was then miscalled. Joan’s wearing the white shift which she wore to the stake and holding her cross made of two sticks tied together, which a sympathetic bystander quickly fashioned to comfort her on her way to execution

My fascination with Joan of Arc, born sometime in 1412 and put to death by fire on May 30th, 1431, is long-standing, beginning in my girlhood. Joan, as you likely know, is the French national heroine who fought to remove medieval France from English rule, whose exploits turned the tide and guaranteed France’s ultimate victory in the Hundred Year’s War.

She was the daughter of prosperous peasants in Domrémy, France. On a self-proclaimed mission from God to restore French rule to the rightful heir of the House of Valois, she convinced the local baron, military leaders, and eventually the crown prince to put her in charge of the dispirited French army, despite the fact that she was illiterate, militarily inexperienced, and a teenage girl.

By the time Joan reached the Dauphin, as the French crown prince was called, the French had long been in the habit of losing battles, even when they had the upper hand in numbers and defensive position, often because they were unable to cohere as a unified fighting force. French society was still feudal, highly stratified by class, and the army was no exception. Common soldiers were ill-equipped and underused, mistrusted and despised by aristocratic and wealthy knights jealous of their own superior rank. They could not bring themselves to give common soldiers opportunities for a share in the military glories of conquest. So French armies, fractured by class with everyone out for themselves, lost time after time to the more pragmatic and unified English forces. Troops of English longbowmen, for example, were made of up common soldiers highly valued for their strength and skill, and the English army made full use of them, to the detriment of the French. When Joan came along, a peasant in direct communication with Saint Micheal the Archangel, patron saint of French knights, she served as the much-needed unifier of French sympathies. Knights and commoners alike were united by their love of her and what she represented, and they began to fight as one, an army made holy and therefore equal: the aristocracy and chivalric order may have been respecters of persons, but the God who called Joan to lead them in their sacred quest was not.

Joan also whipped the army into shape, demanding that they train as hard as she did. She banned gambling, swearing, and prostitution from the camps, and required that soldiers attend religious services regularly. These reforms served the double purpose of further unifying soldiers through daily rituals that helped internalize their sense of holy, shared purpose, and of reducing the opportunities for alcoholism, venereal disease, and other ravages of hard living that could weaken her forces. She also prohibited raiding and pillaging which further unified French sympathies, especially of the common people and the countryside who had long suffered the predations of marauding English and French soldiers.

Joan of Arc, ca. 1450-1500, oil on parchment, artist unknown, public domain

Once she had raised the Seige of Orléans, drove the English from fort after fort, and led the Dauphin to be crowned King at Reims, her hawkish mission fell victim to what she considered dithering and intrigue, and what Charles VII considered diplomacy to save lives and capital. As Joan saw it, aristocrats and corrupt clerics, still jealous of their own social standing and opportunities for power either as leaders in the newly strengthened French order or as secret English collaborators, blocked her next great project: to deliver Paris from English control. She relieved her frustration and boredom by leading a series of minor skirmishes against the English, and was finally captured at one of these. She was handed over to an ecclesiastical court, led by French clerics symphathetic to the English cause, so they try her as heretic, ‘proving’ her in league with Satanic fiends, as the great English playwright William Shakespeare portrays her in Henry V. This would discredit her godly mission, her power to unite the French, and her assistance to Charles VII’s cause, thereby undermining his royal legitimacy. She was burned at the stake in Rouen, having accomplished the first part of her mission, the liberation of Orléans and the coronation of her King, and setting in motion the second part, the complete liberation of France from English rule, at only nineteen years old.

But it was clear to both French and English that the ‘holy’ court that condemned Joan was led and manipulated by political actors, not by men of God whose chief concern was to protect the Church from heresy. About twenty years after her death, the victorious French king Charles VII, who owed his crown and the reclamation of his kingdom to Joan, was finally reminded of his debt of gratitude by the realization that his hold on power was threatened if his rule was the result of the machinations of a heretic. A trial of rehabilitation and nullification commenced in the mid-1400’s, which formally vindicated her and proved to their satisfaction her mission came from God. Almost five hundred years after her death, Joan of Arc was proclaimed a saint by the Catholic Church.

Joan of Arc statue in Paris, France, photo 2015 by Amy Cools. This stylized depiction of her, in that Art Deco style I so love, makes me think of a green flame: green for the fields in which she roamed as a child shepherd, flame for her passionate intensity. Her attempt to liberate Paris by force from English rule was put to a stop by Charles VII’s diplomatic maneuverings, as well as by a wound she suffered in the failed assault. Paris was recovered by the French only a few years later by a means this inveterate warrior dismissed as a sign of weakness: by treaty. I believe, by the way, the fire she was wont to ignite in the hearts of soldiers also flamed in the breasts of the liberators of Paris five hundred years later in WWII.

I was religious as a child and a teenager, and admired her then as a Catholic saint. By my late teens, I had left religious belief behind, but my admiration for her has only grown and deepened over the years. She became something more to me, more rich, more mysterious, more complex. I think of her now as a native genius, with no other language or context in which to express, to herself and others, her political and military insights than the religion which infused her life and the life of the lives of her fellow countrypeople. And the way she was able to baffle, rebut, and defeat her interrogators at the show trial by those determined to discredit her before burning her at the stake remains a marvel. Her intellect was such that, despite her illiteracy and lack of formal education, she was able to see right through the legal deceptions of her judges and prosecutors, avoiding every verbal trap and pitfall they set for her, turning their attacks and arguments right back on them.

In preparation for this anniversary of her death, I’ve immersed myself in writing and art about Joan. Besides various histories, I’ve recently re-read Mark Twain’s historical novel Personal Recollections of Joan of Arc, which was recommended to me by my devoutly Catholic grandmother. I’ve read it many times over the last two decades. It was Twain’s own favorite of all his novels; he proudly announced he spent twelve years researching it and two years writing it, which he did for no other novel. While Joan is as full of comical scenes and quips as any of his other works, it’s a tender book, channeling his love for his own wife and daughters, with much less sarcasm and much more earnest, overtly expressed sorrow and compassion than anything else he ever wrote. His Joan is suffused with the sweetness, purity, and honesty he perceived much of in young girls and too little of in the rest of the world. Twain’s ideas about young girls and women are, I think, hyper-sentimental, naive, even dehumanizing to the extent that his ideal of female virtue did not include the full range of human reason and passion. He, like most in his era, in Joan’s time, and in fact, Joan herself, fetishized female virginity. But I love his account of Joan’s brave life and tragic death nonetheless, just as we can be forgivingly fond of the quaint idealizations of our fathers, uncles, and grandfathers of the sweet purity of womanhood while secretly rolling our eyes.

Drawing of Joan of Arc by Clément de Fauquembergue, as a doodle on the margin of the protocol of the parliament of Paris, dated May 10th, 1429. It’s the only contemporary image of her

Unlike Twain’s tender ideal of Victorian-style womanhood and the Church’s monumental Saint, I find the complex, flesh-and-blood Joan, full of marvelous virtues, deep flaws, incredible natural abilities, inexplicable quirks, and ordinary human qualities, much more interesting. I admire her courage, audacity, bravery, energy, savviness, intelligence, trust in her own abilities, and independence of spirit. I’m disturbed and even at times repelled by her single-minded, sometimes bloodthirsty willingness to sacrifice so many human lives for her cause; her insistence that those things going on in her own mind were the absolute truth and must be believed and obeyed or else; her absolute allegiance to the divine right of kings as established by male bloodline (especially given that many of the French preferred the less ruthless, less feudal, more legally scrupulous style of English rule); and her hyper-religiosity which impelled her to write letters calling on others to put Muslims and religious dissenters to the sword.

The real Joan is such a compendium of attributes and mysteries that she’s become an icon and an inspiration to perhaps the diverse set of people I can think of:

Joan of Arc is a working person’s icon. She’s a self-made woman who got her start working with her hands in the fields, and given very little formal education. But with her own common sense, strong sense of self, and enterprising spirit, she pulled herself up by her bootstraps more quickly and to a greater height than nearly anyone else in history. She began as an illiterate peasant in a feudal society and ended up chief of the armies of France before she reached twenty, and after her death reached even greater heights as a Catholic saint, a military legend, and France’s eternal national hero.

Joan of Arc is a religious icon. She claimed an intimate knowledge of the will of God through the voices of his emissaries he sent to her, St Michael the Archangel, St Catherine, and St Margaret. She’s a treasured if difficult icon for Catholicism: she claimed that God spoke to her directly through heavenly messengers, even as the Church considered itself the divinely-appointed sole intercessor between humanity and heaven. Though she presented a challenge to Church hierarchy and to the Pauline conception of women as the silent, submissive inheritors of Eve’s great sin, Joan was re-reconciled to the very Church that had condemned her, for a variety of theological as well as (I think history makes clear) political reasons. (Re-reconciled because her first formal ecclesiastical examination at Poitiers, to establish the truth of her mission before she was allowed to meet the Dauphin, declared that she was devout, orthodox in religion, a true virgin, and free of deceit). Though she remained passionately loyal to the Church and hated religious dissent, she also embodied the independent spirit that inspired the Protestant revolution, centered on the conviction that God can, and does, speak directly to us in our hearts and through Scripture, no earthly intercessors required.

World War I lithograph poster, 1918. It’s rather a strange one, using the image of Joan to encourage women to help the war effort by attending to their domestic concerns; the US military still banned women from fighting. But Joan was all the rage then: Twain’s thoroughly researched novel, together with other renewed scholarly interest in her over the previous fifty years, made the story of her life much more widely known, and the Church had recently beatified her. She was made a saint two years after this poster was published.

Joan of Arc is a military icon. She loved fighting and spurned any diplomacy beyond plans to move the English out of France as quickly as possible. Though she initially wept at the sight of soldiers wounded and dead as a result of her aggressive tactic of direct assault, she continued to lead every charge in her favored, necessarily casualty-heavy way. Her rhetoric in letters and speech, though embellished with appeals to Christian forbearance and mercy, was violent, filled with threats to chop off heads and put to the sword all who did not obey the will of God as she proclaimed it to be. She inspired deep and enthusiastic devotion in her soldiers, even in her most hard-bitten, most skeptical generals, and quickly achieved a mythic stature among her countrypeople that even General Douglas MacArthur could only envy.

Joan of Arc is a queer icon. She was a cross-dresser who disdained sex with men. Her first simple style of male garb was a practical measure for a soldier who needed to move freely and for a woman often surrounded by men in a culture that regarded single women without escort as fair sexual prey. But over time, as she first encountered the delights of elegant and expensive clothing, showered upon her as gifts of admiration and gratitude, she became quite the clothes horse. She saw no problem with this: medieval sensibilities often conflated holiness with material richness just as the Old Testament did, and God, his favorites, saints, and angels were almost invariably portrayed in the richest of finery. But her enemies mocked her adopted style of wearing silken hose and richly embellished garments in fine fabrics as proof she was as vain, conceited, and driven by lust for personal fame and riches as they had always said. Another reputed French visionary, a young shepherd boy being groomed as Joan’s more convenient, less pugnacious replacement as saintly advisor to the king, blamed her capture on her having fallen prey to vanity and luxury. They claim that she was captured because of her finery, pulled off her horse by the fancy little cape she had grown fond of wearing.

Jeanne d’Arc by Albert Lynch, engraving from Figaro Illustre magazine, 1903, public domain

Joan of Arc is an art and fashion icon. Her exploits, her cross-dressing, her independence of spirit, and her short hair inspired centuries of creative people to capture this wondrously unique individual on canvas, in brass and wood, and in textiles. And songs, poems, stories, films, plays, and countless other forms of creative expression emphasize this, that, or the other facet of her varied and mysterious character. And the Joan-style, French-invented bobbed haircut of the 1920’s, the same decade which saw Joan’s canonization and women’s obtaining the full legal right to vote in the United States and Britain (it took France another twenty years), became a potent symbol, a public declaration that each cropped head recognized that:

Joan of Arc is the feminist icon, par excellence. She bested men in daring and stamina on the battlefield, in intellect time after time in the courtroom, in keeping her own counsel and determining her own destiny despite opposition from family, church, and society, in self-preservation from her would-be prison rapists, and in the courage she displayed on the day of her death. And yet, as she charmingly boasted near the beginning of her final trials, she was confident that she a better seamstress and spinner than just about any other woman! She wore armor, pretty dresses, rough men’s clothes, and over-the-top finery as it suited her. She sang, rode horses, adventured, communed with God and angels, told men and other women what to do, and drove thousands of people to distraction wondering what to make of this extraordinary, inspiring, difficult, inexplicable, and unforgettable person.

*Listen to the podcast version here or on Google Play, or subscribe on iTunes

It’s my dream and my plan, as soon as resources and time allow, to follow the life and ideas of Joan of Arc in France. Stay tuned, though it might be quite a while, and in the meantime, here are some great sources for learning more about this marvelous woman:

Ditié de Jeanne d’Arc (Song of Joan of Arc) – by Christine de Pizan, ed. Angus J. Kennedy and Kenneth Varty (Oxford: Society for the Study of Medieval Languages and Literature, 1977), trans. L. Shopkow

Henry VI, Part I – by William Shakespeare, 1591 via Open Source Shakespeare (website)

Jeanne d’Arc – by T. Douglas Murray, New York: McClure, Phillips & Co, 1902 (excerpts detailing her trial)

Joan of Arc – by Beckett Graham and Susan Vollenweider, The History Chicks podcast, episode 51

Joan of Arc: A Life Transfigured – by Kathryn Harrison, New York: Doubleday, 2014

Joan of Arc – 1948 film directed by Victor Fleming, screenplay by Maxwell Anderson

Joan of Arc: A History – by Helen Castor, New York: HarperCollins, 2015

Joan of Arc: The Warrior Saint – by Stephen Wesley Richey, Westport, CT: Praeger Publishers, 2003

The Passion of Joan of Arc – 1928 film, screenplay by Joseph Delteil and Carl Theodor Dreyer, directed by Carl Theodor Dreyer

Personal Recollections of Joan of Arc – by Mark Twain, 1896

The Riddle Of Mark Twain’s Passion For Joan Of Arc – by Daniel Crown for The Awl, Apr 3, 2012.

Saint Joan – 1957 film adapted George Bernard Shaw’s play Saint Joan, screenplay by Graham Greene, directed by Otto Preminger

*A version of this piece was previously published at Ordinary Philosophy

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!

Happy Birthday, Julia Ward Howe!

Julia Ward Howe, ca. 1855

Julia Ward Howe, poet and activist, was born on May 27, 1819, and lived a long life ever dedicated to social reform.

She’s best known as the author of the Battle Hymn of the Republic, the stirring Civil War anthem still sung at military events and in churches today; I remember singing it at Mass growing up. Filled with Biblical imagery, it reminds me of the Old Testament-inspired Second Inaugural Address of Abraham Lincoln. In it, he addresses the terrible costs of the war in lives and property, surmising that God’s justice may demand that ‘all the wealth piled by the bondman’s two hundred and fifty years of unrequited toil shall be sunk., and …every drop of blood drawn with the lash shall be paid by another drawn with the sword’ in recompense for the terrible sin of slavery.

Howe wrote her Hymn in 1861, Lincoln’s Second Inaugural was delivered in 1865. Lincoln is known to have heard the Battle Hymn and reported to have wept when he did. Lincoln was well versed in Scripture and references it liberally in his writings and speeches; nevertheless, he may also have had Howe’s Hymn in mind when he wrote his Address. In any case, both remain prominent in American historical memory, continuing to resonate and inspire today in our Protestantism-derived culture. John Steinbeck uses her Book of Revelation-derived phrase The Grapes of Wrath as the title of his great novel about the suffering of Dust Bowl refugees fleeing to California. The great Leonard Cohen references her Hymn in ‘Steer Your Way’ from You Want It Darker, his final album released shortly before his death last fall. Howe’s lyric ‘As he died to make men holy, let us die to make men free’ becomes ‘…let us die to make things cheap.’ Cohen redirects her line to critique today’s great sin of destroying our environment likewise out of greed, complacency, indifference to the fate we’re creating for our descendants, and slavish adherence to the ‘way it’s always been done.’

Julia Ward Howe postcard dated August 28th, 1903, from the Hutchinson Family Scrapbook in the collection of the Lynn Historical Society in Massachusetts. I was here in spring 2016 following the life and ideas of Frederick Douglass. The Hutchinson family dedicated their musical skills to the abolition movement and other reform causes and were friends with many prominent activists of their day. The scrapbook doesn’t note which member of the Hutchinson family Howe wrote this card to.

Read more about this great abolitionist, feminist, and author:

Julia Ward Howe, 1819–1910: BiographyPoetry Foundation

Julia Ward Howe (1819-1910) – by Debra Michals for the National Women’s History Museum

‘The Civil Wars of Julia Ward Howe,’ by Elaine Showalter – by Jill Lepore for The New York Times

Julia Ward Howe, 1819-1910, Volume 1 – by Laura Elizabeth Howe Richards, Maud Howe Elliott, and Florence Howe Hall, 1915

*A version of this piece was previously published at Ordinary Philosophy

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!

Happy Birthday, John Stuart Mill!

John Stuart Mill and Helen Taylor, daughter of Harriet Taylor, collaborated with Mill after her mother's death, public domain via Wikimedia Commons

John Stuart Mill and Helen Taylor, daughter of Harriet Taylor, who collaborated with Mill after her mother’s death. Public domain via Wikimedia Commons

…The writings by which one can live are not the writings which themselves live, and are never those in which the writer does his best.

John Stuart Mill, from his Autobiography

One of my favorite ideas in political philosophy is John Stuart Mill’s ‘marketplace of ideas’ (though he didn’t phrase it this way himself): that the free, open, and vigorous exchange of ideas in the public sphere does more to further human knowledge than anything else. But not only has his comprehensive and to my mind, absolutely correct defense of free speech in his great work On Liberty had an immense and beneficial influence on the history and theory of human rights, he was admirable in myriad other ways as well:

‘Mill believed in complete equality between the sexes, not just women’s colleges and, someday, female suffrage but absolute parity; he believed in equal process for all, the end of slavery, votes for the working classes, and the right to birth control (he was arrested at seventeen for helping poor people obtain contraception), and in the common intelligence of all the races of mankind… all this along with an intelligent acceptance of the free market as an engine of prosperity and a desire to see its excesses and inequalities curbed…. Mill was an enemy of religious bigotry and superstition, and a friend of toleration and free thought, without overdoing either…’

~ Adam Gopnik, from his article and book review ‘Right Again‘, 2008

John Stuart Mill, from an exhibit at the Museum of the University of St Andrews

‘The son of James Mill, a friend and follower of Jeremy Bentham, John Stuart Mill (1806-1873) was subjected to a rigorous education at home: he mastered English and the classical languages as a child, studied logic and philosophy extensively, read the law with John Austin, and then embarked on a thirty-five career with the British East India Company at the age of seventeen. (He also suffered through a severe bout of depression before turning twenty-one.) Despite such a rich background, Mill credited the bulk of his intellectual and personal development to his long and intimate association with Harriet Hardy Taylor. They were devoted friends for two decades before the death of her husband made it possible for them to marry in 1852; she died in Avignon six years later. Mill continued to write and to participate in political affairs, serving one term in Parliament (1865-68). The best source of information about Mill’s life is his own Autobiography (1873).

Philosophically, Mill was a radical empiricist who held that all human knowledge, including even mathematics and logic, is derived by generalization from sensory experience. In A System of Logic, Ratiocinative and Inductive (1843) he explained in great detail the canons for reasoning inductively to conclusions about the causal connections exhibited in the natural world.

Mill’s moral philosophy was a modified version of the utilitarian theory he had learned from his father and Bentham. In the polemical Utilitarianism (1861) Mill developed a systematic statement of utilitarian ethical theory. He modified and defended the general principle that right actions are those that tend to produce the greatest happiness of the greatest number of people, being careful to include a distinction in the quality of the pleasures that constitute happiness. There Mill also attempted a proof of the principle of utility, explained its enforcement, and discussed its relation to a principle of justice.

Mill’s greatest contribution to political theory occurs in On Liberty (1859), where he defended the broadest possible freedom of thought and expression and argued that the state can justify interference with the conduct of individual citizens only when it is clear that doing so will prevent a greater harm to others. Mill also addressed matters of social concern in Principles of Political Economy (1848) and Considerations on Representative Government (1861) and eloquently supported the cause of women’s rights in The Subjection of Women (1869).’

~ from The Philosophy Pages by Garth Kemerling, licensed under a Creative Commons Attribution-Share Alike 3.0 Unported License

Learn more about the massively influential, hard-thinking John Stuart Mill:

John Stuart Mill ~ Fred Wilson for The Stanford Encyclopedia of Philosophy

John Stuart Mill (1806—1873) ~ Colin Hydt for the Internet Encyclopedia of Philosophy

John Stuart Mill: British Philosopher and Economist ~ Richard Paul Anschutz for Encyclopædia Britannica.

On Liberty ~ by John Stuart Mill, via Project Gutenberg

Right Again: The Passions of John Stuart Mill ~ Adam Gopnik for The New Yorker, Oct 6th, 2008

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!!

Happy Birthday, Omar Khayyám!

By Adelaide Hanscom, from Edward Fitzgerald's The Rubaiyat of Omar Khayyam, 1905, public domain via Wikimedia Commons

Since Edward FitzGerald published his translation of The Rubáiyát of Omar Khayyám in 1859, Omar Khayyám (May 18, 1048 – December 4, 1131) has been known, especially in the western world, first and foremost as a great poet, eloquently expressing the joy and beauty of life and our own struggles to live it with a sense of love and meaning. It’s a humanist work, with Khayyám writing much as an Epicurean or Skeptic here and a Stoic there, freely doubting and wondering at everything, unshackled from the orthodoxy one might expect from a famed teacher and writer of his time and place. Yet Khayyám, a devotee of Avicenna, took his Islamic faith very seriously, and thought deeply about the nature of God and our relationship to him.

Khayyám, born in Persia in 1048, was most famed in his own time as a mathematician, astronomer, and scientist. He wrote some of the most important medieval works in geometry and algebra, and helped reform the calendar, an even more accurate one than the Gregorian calendar we use today. But he was also an accomplished philosopher, and scholars are working on resolving the apparent contradictions between this work and his poetry.

One thing I’ve gotten from my research (which, thus far, is only beginning and therefore not nearly enough): for all his prodigious learning and accomplishments, Khayyám honestly acknowledges the limits of human understanding, and seems to tell us that while the great work of discerning the truths of the universe is a great, noble, even necessary endeavor, we do well to keep in mind that we can never know everything, whether through science or religion. So, Khayyám seems tells us, we do well to work, to wonder, to seek, to do right, but also to live for today:

At first they brought me perplexed in this way
Amazement still enhances day by day
We all alike are tasked to go but Oh!
Why are we brought and sent? This none can say’. (Rubā‘iyyāt, Tirtha 1941, 18, from IEP)

‘As Spring and Fall make their appointed turn,
The leaves of life one aft another turn;
Drink wine and brood not—as the Sage has said:
“Life’s cares are poison, wine the cure in turn.” (Sa‘idī 1994, 58, from IEP)

Learn more about this great poet and thinker at:

Umar Khayyam –  by Mehdi Aminrazavi and Glen Van Brummelen for The Stanford Encyclopedia of Philosophy

Omar Khayaam, 1048–1131 – The Poetry Foundation

Omar Khayyam – Encyclopædia Britannica.

Avicenna (Ibn Sina) – by Sajjad H. Rizvi for The Internet Encyclopedia of Philosophy

Umar al-Khayyam (Omar Khayyam) – for Muslim Heritage

*A version of this piece was previously published at Ordinary Philosophy

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!

Happy Birthday, Bertrand Russell!

Betrand Russell in 1938, image public domain via Wikimedia CommonsBertrand Russell lived an extraordinarily long life, in which he did an extraordinary number of extraordinary things.

Encyclopedia Britannica introduces him thusly: ‘Bertrand Russell ….born May 18, 1872, Trelleck, Monmouthshire, Wales- died Feb. 2, 1970, Penrhyndeudraeth, Merioneth, [was a] British philosopher, logician, and social reformer, founding figure in the analytic movement in Anglo-American philosophy, and recipient of the Nobel Prize for Literature in 1950. Russell’s contributions to logic, epistemology, and the philosophy of mathematics established him as one of the foremost philosophers of the 20th century. To the general public, however, he was best known as a campaigner for peace and as a popular writer on social, political, and moral subjects. During a long, productive, and often turbulent life, he published more than 70 books and about 2,000 articles, married four times, became involved in innumerable public controversies, and was honoured and reviled in almost equal measure throughout the world…’

For myself, he was particularly influential to my younger freethinking self, disenchanted with the religion of my youth and seeking new and more satisfying ways of viewing the world. I read his History of Western Philosophy and Why I Am Not a Christian each several times over. I admire his clear, precise thinking and his principled anti-war stance which came at a significant cost, including jail time and loss of a prestigious job at the University of Chicago, and it’s always so enjoyable to watch him speak (you’ll find plenty of videos on YouTube) in his oh-so-aristocratic accent with a pipe often tucked into the corner of his mouth. He was not a perfect man, but he was never a less-than-fascinating one.

Learn more about the brilliant and idiosyncratic Bertrand Russell at:

Bertrand Russell – by Ray Monk for Encyclopedia Britannica

Bertrand Russell – by Andrew David Irvine for The Stanford Encyclopedia of Philosophy

Various pieces on Bertrand Russell – by Maria Popova for Brain Pickings

*A version of this piece was previously published at Ordinary Philosophy

~ Ordinary Philosophy is a labor of love and ad-free, supported by patrons and readers like you. Any support you can offer will be deeply appreciated!