What I Learned About Disability and Infanticide from Peter Singer, by Katie Booth

Illustration from A System of Midwifery, Including the Diseases of Pregnancy and the Puerperal State, 1875 by Leishman & Parry, public domain via Wikimedia Commons

In the 1970s, the Australian moral philosopher Peter Singer, perhaps best-known for his book Animal Liberation (1975), began to argue that it is ethical to give parents the option (in consultation with doctors) to euthanise infants with disabilities. He mostly, but not exclusively, discussed severe forms of disabilities such as spina bifida or anencephaly. In Practical Ethics (1979), Singer explains that the value of a life should be based on traits such as rationality, autonomy and self-consciousness. ‘Defective infants lack these characteristics,’ he wrote. ‘Killing them, therefore, cannot be equated with killing normal human beings, or any other self-conscious beings.’

The thought of killing disabled babies is especially dangerous because the concept of disability often functions as a mere cloak, thrown over much uglier hatreds. In ‘Disability and the Justification of Inequality in American History’ (2001), the historian Douglas Baynton points out that African-American enslavement was justified through disability models: there was a supposition that African Americans suffered from a number of medical conditions that were understood to make them unable to care for themselves. Until 1973, homosexuality was a psychological disorder justified in the Diagnostic and Statistical Manual of Mental Disorders; the current edition, the DSM-5, still considers transgender people disabled.

Singer generally frames severe physical disabilities through a medical lens. His ideas chafe against models of the disabled as a minority group. To Singer, severe disability is more a problem to be solved than a difference to be embraced and accommodated.

For years, I thought Singer was morally bankrupt. I grew up in a family with hereditary deafness, and though deafness is far from the type of disability that Singer was focusing on (with some arguing that it’s not a disability at all), I still recognised an idea that the disability community has faced for centuries: that people with disabilities are fundamentally less entitled to their rights – even their lives. Singer’s ideas stood in opposition to my core belief that the disabled body is created largely through a lack of accommodation, and that people with disabilities are different perhaps, but not less.

While most of Singer’s other writings seemed so thoughtful, so compassionate, his writings on disabled children seemed to be approaching the slippery slope toward ethnocide – the intentional and systematic destruction of cultures, like the Deaf culture that my own family embraced. I had never been able to shake what he was saying about the disabled – and I wanted to know more: what he thought today; if his ideas had ever shifted; and, mostly, how he could believe so strongly in something that seemed so out of sync with his reverence for life.

This past winter, I reached out to Singer to learn more.

I was nervous to talk with him, even over the blurry, jumpy distance of Skype, but I had no reason to be. Though his ideas felt abrasive, even violent, to me, he took opposition with thoughtful consideration. And as we talked, I began to wonder if I hated his ideas because they poked at sore spots in my worldview, exposing its vulnerabilities.

Singer resists the idea that disability is mere difference; there is suffering involved, he says, and not only of the social variety. ‘I don’t think the idea that it’s better to be able rather than disabled is in itself a prejudice,’ he told me. ‘To see that as akin to racism or sexism is a mistake.’ He argues that if it weren’t preferable to be able-bodied, we wouldn’t have a problem with pregnant women taking drugs or drinking heavily, that avoiding disability would have to also be seen as prejudicial. It isn’t, and Singer maintains that it shouldn’t be.

Instead, Singer maintains that disability, unlike race or gender, comes with intrinsic suffering – sometimes great enough that it is more compassionate to end the lives of infants than to force them to live in pain. Over the years since he first began discussing this proposal, Singer has had to contend with studies showing that quality-of-life assessments of people with disabilities are not that different from those of able-bodied people – a fact that could grossly undermine his argument of alleviating suffering. While he has found those studies compelling, he maintains that it’s not fair to allow them to speak for those too severely disabled to respond to such a survey. (In general, he doesn’t buy the idea that people with vastly different disabilities ought to be speaking to each other’s experiences.)

Disturbingly, though he focuses mostly on severe disabilities, he also resists putting strict parameters around which disabilities would qualify for infanticide. ‘Look,’ he told me, ‘I don’t think it’s for me to tell parents [that] if your child is like this you are to end the child’s life, and if the child is like that you ought not to.’ Instead, he considers how class, family, community, not to mention regional and national support, shape the potential life of the child.

Particularly surprising was how Singer’s responses often revealed under-investigated issues in the disability movement’s rhetoric: the idea that class and location could have tremendous impact on a parent’s ability to raise a child with a disability, for instance, or that some are so disabled that they have no ability to speak to their own quality of life. The way that Singer’s ideas are often engaged with exhibits an intellectual laziness that tosses these issues dangerously aside.

Singer has not focused on infanticide for decades, but his ideas still ache in the disability world, like a wound that won’t heal. Singer is still deeply entrenched in questions about the hierarchy of lives, and his ideas about the inferiority of many people with disabilities – and the dangers that those ideas imply – are as pertinent today as they’ve ever been. The epidemic of spina bifida that spurred his arguments has now passed, but the larger questions he poses are still central to questions of prejudice and equality in the disability community. This makes it hard to sort through Singer. His arguments are built intricately and beautifully, like a perfect mathematics equation, but at their core beats a single assertion, one that is still too difficult to concede: that this group of human beings aren’t really people. That’s the pain that obscures the rest.Aeon counter – do not remove

This article was originally published at Aeon and has been republished under Creative Commons.

~ Katie Booth is a freelance writer and a 2017-18 John W Kluge fellow at the Library of Congress. She has written for the Indiana Review, Mid-American Review, The Fourth River and Vela. Her first book, The Performance of Miracles: Language, Power, and Alexander Graham Bell’s Quest to Cure Deafness, will be published by Simon & Schuster. She lives in Washington, DC. (Bio credit: Aeon)

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The Revolutionary Figure of the Beautiful, Self-Improved Soul, by Justine Kolata

Miniature room by Mrs. James Ward Thorne portraying a French salon from about 1780, ca. 1930’s, Art Institute of Chicago

In a global culture that appears increasingly obsessed with radical individualism, narcissistic presentations of self, and incendiary political rhetoric, it is hard to imagine that society once cared about the beauty of the soul. But, in the late 18th and early 19th centuries in Germany and across Europe, the pursuit of a ‘beautiful soul’ became a cornerstone of philosophical thought and popular discourse, advanced by some of the most important intellectuals of the time, including Johann Wolfgang von Goethe, Friedrich Schiller and Wilhelm von Humboldt. To these thinkers, the pursuit of inner perfectibility responded to the horrors of the French Revolution’s irrational mass action culminating in The Terror of the 1790s. Nascent notions of democracy, they believed, could be developed only if each individual achieved liberation from what Immanuel Kant described as the ‘self-incurred tutelage’ of intellectual immaturity by developing cognitive and emotional faculties through aesthetic experiences.

At the core of the beautiful soul is the idea that the individual possesses an innate cognitive potential. Subject to the right environmental and educational conditions, this latent potential can be developed to reach a more perfect state of intellect, morality, character and conduct. The beautiful soul is an aesthetic concept focused on developing human capacities and advancing knowledge and culture. It entails the pursuit of personal cultivation to create a convergence of the individual aesthetic impulse with a collective ethical ideal. The beautiful soul is a virtuous soul, one that possesses a sense of justice, pursues wisdom, and practises benevolence through an aestheticised proclivity for the ‘good’.

Inspired by ancient Greek philosophy, the beautiful soul reflects Plotinus’ imperative to cultivate the self in the same way that the sculptor works:

Withdraw within yourself, and examine yourself. If you do not yet therein discover beauty, do as the artist, who cuts off, polishes, purifies until he has adorned his statue with all the marks of beauty. Remove from your soul, therefore, all that is superfluous, straighten out all that is crooked, purify and illuminate what is obscure, and do not cease perfecting your statue until the divine resplendence of virtue shines forth upon your sight …

Sculpting the soul and creating what Goethe referred to as ‘a more beautiful humanity’ is achieved through the internalisation of the Platonic triad of beauty, truth and goodness. Beauty is conceived as the integration of intellectual and aesthetic faculties in the encounter with art and nature. Truth is the result of the logical exercise of rational faculties and the elevating sense of curiosity derived from experiences in the world. Goodness is found in the human capacity to feel compassion for others and thereby contribute to the betterment of society.

The Platonic triad is realised within the soul by exploring ideas through lived experiences, not by blindly following abstract principles or dogma dictated by a church or political system. The concept requires that the individual actively engage her senses to navigate the material world in which beauty acts as her guide. The ineluctable indeterminateness of aesthetic, sensory experience is precisely what makes it valuable in expanding one’s consciousness in order to explore the ultimate questions of reality. Watching a lark’s parabolic trajectory in the sky, observing the fractal patterns found in nature, contemplating the concentric circles produced by rain droplets in pools of water become opportunities to understand the universe and reach a heightened cognitive-affective state. As Goethe observed: ‘A man should hear a little music, read a little poetry, and see a fine picture every day of his life in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.’

The concept affirms that, in its universality, beauty offers a means of engaging with the world, providing a common basis upon which positive social relationships can be developed, acting as a lexicon for communicative exchange. Since it is a natural human inclination to share sensory experiences, beauty provides an opportunity to bond individuals in a moment of ultimate meaning, conveying ineffable feelings that cut to the core of existence. By opening one’s perceptual horizons, a person is elevated beyond ego and self-absorption into a realm of universal concern and contemplation. Beauty achieves the good by strengthening faculties of empathy that induce deeper compassion for others and attentiveness to the wellbeing of the social collective. Thus, the marriage of the beautiful, the true and the good is for the beautiful soul more than the metaphysical meditations of antiquity but the very basis of a more just and equitable society.

Although the philosophy was never realised in the way that its theorists envisioned, the beautiful soul is far more than a beautiful idea. In turning towards aesthetics, the philosophers of the German Aufklärung (Enlightenment) did not naively evade political realities. Instead, they offered a holistic theory that recognised the long-term horizon for the flourishing of reason and human understanding. In doing so, they developed a poetic conception of politics that took inspiration from ancient Greek notions of an aesthetic state. In working towards her own self-improvement and fearlessly venturing into society, the beautiful soul was a revolutionary figure, at the vanguard of Enlightenment progress.

Self-cultivation was not an idle, vainglorious pursuit of the wealthy, but rather a radical reformulation of what it meant to be human and how to harmoniously exist in society. The beautiful soul anticipated the problems of instrumental reason, overcoming the dangers of mere utility, disenchantment and social isolation by offering an aesthetic world view that facilitated positive human interactions and a multidimensional understanding of human experience. She epitomised Enlightenment values of equality, fraternity and rationality, serving as the model of a citizen who lived up to the responsibilities associated with democracy.

The contemporary turn towards nihilism that lionises the individual at the expense of the collective has made the idea of cultivating a more beautiful soul appear hopelessly idealistic and disconnected from ‘hard realities’. In a realist’s world, we seek utilitarian ends under the guise of pragmatism, turning away from the illusiveness of an immaterial and ultimately unattainable ideal. The mystery and poetry of human nature has been stripped from our daily experience at the expense of our imaginations and our will to envision a more beautiful world. Yet, the social and environmental ills induced by our unfettered economy of instrumentality are proving anything but pragmatic for the long-term sustainability and wellbeing of our species. If we still harbour hope in the human propensity for goodness, then we ought to contemplate anew the poetic, revolutionary figure of the beautiful soul that might once again provide a vision for deepening our intellectual, moral and emotional faculties in the service of a more just and progressive future for us all.Aeon counter – do not remove

This article was originally published at Aeon and has been republished under Creative Commons.

Justine Kolata is the founder and director of The Public Sphere, and the co-founder and co-director of The Bildung Institute. She is currently pursuing a PhD in the German department at the University of Cambridge on enlightenment salon culture.

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